In the poem, Cummings draws a clear distinction between
the natural world and what he sees as the artificial world of science and technology
created by mankind. As he writes, "A world of made / is not a world of born." Science
and technology are interpreted as the means through which man has perverted nature,
creating a world no longer worth inhabiting: "listen: there's a hell / of a good
universe next door; let's go." The idea of "progress" then assumes ironic significance.
It does not represent the improvement or enhancement of human life through applied
science; scientific progress is instead a "disease" that corrupts the body of mankind.
It is a "comfortable" disease in that mankind is unaware of its destructive properties
and feels blind intellectual pride while busily subverting
nature.
Sunday, September 25, 2011
In "pity this busy monster, manunkind," how does this phrase relate to Cummings' criticism of perceived scientific "progress"? "progress is a...
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