Sunday, December 15, 2013

What is the symbolism of "How to Tell a True War Story"?

I would want to argue that probably the major piece of
symbolism in this excellent war-time account of Tim O'Brien that attempts to define a
"true" war story is the description of the death of Lenon and how it happened from Tim
O'Brien's perspective. Note how the speaker describes how he died from stepping on a
landmine:



His
was face suddenly brown and shining. A handsome kid, really. Sharp grey eyes, lean and
narrow-waisted, and when he died it was almost beautiful, the way the sunlight came
around him and lifted him up and sucked him high into a tree full of moss and vines and
white blossoms.



Clearly, from
the speaker's perspective, Lenon met his death in a very different way from what
"actually" happened. It is clear that Lenon stood on a detonator and was blown up by a
landmine, but from the author's point of view, the sun itself took him away, "sucking"
him into a nearby tree. Note what the author says straight
afterwards:



In
any war story, but especially a true one, it's difficult to separate what happened from
what seemed to happen. What seems to happen becomes its own happening and has to be told
that way.



Thus,
interestingly, the simple act of Lenon standing on a detonator is an important symbol
that is used to answer the question that the title points towards, as it reinforces the
difficulty of conveying "truthfully" what happened in a war story due to the wide range
of perspectives concering what really happened. The truth is shown to be remarkably
elusive.

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