Robert Bolt's play, A Man for All Seasons,
is about the conflict that erupts when the pope, Sir Thomas More, refuses to
grant King Henry VIII a divorce from Catherine of Aragon. More remains obstinate in his
refusal, despite enormous pressure from the king and cajoling from the Duke of Norfolk
to bend his principles and comply. But More will not do so, for he steadfastly believes
that the law of God trumps the law of Man.
Bolt's
re-visioning of the events that transpire between More and King Henry VIII includes a
character called the "Common Man." The Common Man serves a role much like that of a
Greek Chorus, in that through his asides about the action, the audience gets a more
nuanced understanding of the tensions that exist and the rarity of a man of More's
outstanding character.
The Common Man is quite different in
appearance and action, however, than a traditional Chorus. He is, indeed, quite common.
He is hardly a great physical speciman. He is overweight, middle-aged, and serves in
many "common" working capacities, including acting as More's steward, as the boatman, as
the jury foreman, and as the "headsman" (executioner).
He
is symbolic of the common man because he takes the common path, that is, the easy way
out. There were few men of More's integrity in his day, and indeed, there are few in
modern times. Bolt's deft execution of how little things change makes the A
Man for All Seasons timelessly relevant.
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