The Pitti Palace in Florence, Italy, illustrates this
            technique of trompe de l'oeil [in French it literally means
            mistake the eye, and sometimes the de, meaning
            of, is omitted].  Built during in the 1300s, a century before the
            beginning of the Renaissance, this impressive example of the illusionary technique
            has walls that seem absolutely three-dimensional with false balconies at the tops of
            these walls, statues that are really part of the murals.  Even false sculptures over
            doorways decorate the walls.
This artistic technique was
            economical and useful as it created dimension and structure without the cost. For
            instance, in Guercino's Aurora, 1621-23, the addition of towering illusionistic
            piers--even a ruined one at one end of the ceiling--makes a more impressive
            picture.
 
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